Forget 'Dune: Part 3,' Rebecca Ferguson's Sci-Fi Gem Hits Free Streaming This May Rebecca Ferguson’s 2026 is proving to be a banner year for her fans, as the actress returns to the spotlight with a slate of four major projects. After a period of sporadic appearances in smaller roles, Ferguson is now fully immersed in a variety of high-profile productions. Her latest work includes the dystopian thriller Mercy, co-created by Timur Bekmambetov and Amazon MGM, where she stars alongside Chris Pratt. She also recently joined the cast of Peaky Blinders: The Immortal Man, a gangster-themed series directed by Tom Harper and Steven Knight. However, the most anticipated of her upcoming projects is the third installment of Denis Villeneuve’s Dune franchise, where she will reprise her role as Lady Jessica. While her screen time in the film is expected to be limited compared to her previous roles, fans are eager to see her return to the franchise. Beyond her work in Dune, Ferguson is also set to release The Magic Faraway Tree, a fantasy film she starred in, which premiered in the UK and is set for a U.S. release later this year. Her filmography continues to showcase her versatility, with standout performances in Mike Flanagan’s Doctor Sleep and Tate Taylor’s The Girl on the Train. These projects highlight her ability to adapt to diverse genres and characters, solidifying her reputation as a versatile actress. One of the most exciting developments for Ferguson fans is the free streaming of her 2017 horror sci-fi film Life starting May 1. The movie, which serves as a precursor to her Apple TV+ series Silo, will be available on Tubi, a popular free streaming platform. This move is seen as a way for fans to revisit her work before the release of Silo, which is expected to be a major production.#tom_harper #chris_pratt #amazon_mgm #rebecca_ferguson #timur_bekmambetov
Masters of the Universe: Storytelling Lessons from 'Forge the Sword' Russ Kazmierczak Jr. reflects on the upcoming Masters of the Universe movie trailer, highlighting its implications for storytelling and fan engagement. The trailer, released by Amazon MGM, showcases expanded character arcs, including Ram Man and Trap Jaw, and features Jared Leto’s voice as Skeletor. A key revelation for the author is the depiction of Prince Adam’s childhood on Earth, a narrative choice that recontextualizes his journey as He-Man. While initially seen as a way to ground the story in relatable domestic stakes for younger audiences, the author realizes the deeper significance: Adam’s Earthbound existence symbolizes the fanbase itself. The author draws a parallel between Adam’s role and his own experiences as a cartoonist juggling a 9-to-5 job with creative pursuits. He describes himself as a “24/7 cartoonist” who scribbles notes and doodles during work breaks, seeking escape from the “doldrums of life.” This personal connection underscores the idea that Adam’s placement on Earth is not merely a plot device but an allegory for fans who, despite not being the core demographic, cherish the stories. The author notes how Adam’s line—“I know most of you don’t remember me... but I know all of you”—resonates as a call to the community, framing the story as a journey of self-discovery and loyalty to the characters. This interpretation extends beyond the film, touching on broader themes of storytelling responsibility. The author argues that while fictional characters face fantastical challenges, their narratives mirror real-life struggles. For instance, while Killer Croc or Venom may not exist, everyday challenges like unexpected setbacks or personal crises are universal.#amazon_mgm #russ_kazmierczak_jr #ram_man #trap_jaw #skeletor
Ryan Gosling's 'Project Hail Mary' tops North America box office with USD 80.5 million haul; Ranveer Singh's 'Dhurandhar: The Revenge' ranks third with USD 10 million opening Ryan Gosling's science fiction film 'Project Hail Mary' dominated the North American box office, earning an estimated USD 80.5 million in its opening weekend. The film, which stars Gosling as a man stranded on a spaceship tasked with saving the sun, surpassed expectations to become the highest-grossing non-franchise movie of 2026. Box office tracker EntTelligence reported the film attracted around 5 million ticket buyers, with its opening weekend gross translating to a record for Amazon MGM, the studio behind the film. The film also secured the second-largest opening for a non-franchise movie in history, trailing only 'Oppenheimer' (USD 82.4 million in 2023). 'Project Hail Mary' outperformed other space-themed films, including 'The Martian' (USD 54.3 million in 2015), 'Gravity' (USD 55.6 million in 2013), and 'Interstellar' (USD 47.5 million in 2014). Internationally, the film earned USD 60.4 million from 82 markets, bringing its global total to USD 140.9 million. The film's success was bolstered by its use of premium large format screens, which accounted for 56% of weekend grosses, and IMAX screens alone contributed USD 27.6 million to the global total. The film will face minimal competition in its second weekend until it loses its IMAX screens to 'The Super Mario Galaxy Movie' on April 1. Disney and Pixar's 'Hoppers' followed closely, earning an estimated USD 18 million in its second weekend. The animated film's domestic total now stands at USD 120.38 million, with international earnings reaching USD 122.20 million, for a worldwide total of USD 242.58 million.#ranveer_singh #dhurandhar_the_revenge #amazon_mgm #ryan_gosling #project_hail_mary
Weekend Box Office: Project Hail Mary Scores Big Win for Amazon MGM Amazon MGM’s sci-fi film Project Hail Mary achieved its highest opening weekend in the studio’s history, grossing $80.5 million, and secured the best Tomatometer score for any wide release in 2026 with a 95% rating. The film, starring Ryan Gosling, has generated strong critical acclaim, with audiences giving it an A Cinemascore. Analysts suggest that early buzz and confidence in the film’s quality contributed to its success, as it surpassed earlier projections of $50 million. Comparisons to The Martian (2015), which opened to $54.3 million and grossed over $228 million domestically, highlight Hail Mary’s potential. While The Martian eventually earned over $619 million globally, Hail Mary’s $80.5 million opening places it among the top March debuts, surpassing many films that failed to reach $200 million. For context, only one March release between $50-70 million managed to gross over $200 million, and that was Disney’s 2015 Cinderella. The film’s sci-fi premise and family-friendly appeal may help it sustain momentum, especially after Amazon MGM’s recent underperforming releases like Mercy, Melania, and Crime 101. The film’s success also marks a turning point for Amazon MGM, which acquired MGM in 2023. With Hail Mary’s opening, the studio now has a major hit to build on, though its international performance remains crucial. The film added $60 million overseas, bringing its total opening to nearly $141 million. Analysts note that films with a 90%+ Tomatometer score, an A Cinemascore, and a $75-90 million opening, such as Skyfall, Dune: Part Two, and Oppenheimer, have all grossed at least $250 million domestically.#amazon_mgm #ryan_gosling #project_hail_mary #the_martian #disney_pixar
Can Project Hail Mary Deliver? Amazon Needs a Hit After String of Flops Amazon MGM faces mounting pressure to deliver a blockbuster hit with its latest film, Project Hail Mary, a $200 million sci-fi epic adapted from Andy Weir’s bestselling novel. The movie, starring Ryan Gosling as a scientist racing to save humanity from extinction, is set to debut on March 20 and aims to become the streaming giant’s biggest theatrical opening ever, targeting $63 million to $65 million in North America. This would surpass the $58 million opening of 2023’s Creed III, which remains the current record. However, the stakes are high for Amazon, which has struggled to translate its dominance in e-commerce into success in the film industry. The studio’s recent slate of theatrical releases has been a mixed bag, with several projects failing to recoup their massive budgets. For example, Luca Guadagnino’s After the Hunt earned just $9 million against an $80 million budget, while the documentary Melania grossed $16 million—impressive for the genre—but fell far short of its $40 million budget. Similarly, the R-rated crime film Crime 101 made $65 million on a $90 million investment. Despite these misfires, Amazon has had some wins, including Creed III’s $276 million gross and Jason Statham’s The Beekeeper, which earned $162 million on a $40 million budget. A sequel to The Beekeeper is planned for 2027. Amazon’s theatrical ambitions have been complicated by its unique business model. Unlike traditional studios, Amazon funds massive marketing campaigns upfront, relying on its vast resources to promote films before they reach streaming platforms. However, industry analysts argue that this approach may not be sustainable. “Every studio operates by the same metrics: A slate of movies has to make money—more income than expenses,” says David A.#amazon #amazon_mgm #ryan_gosling #project_hail_mary #creed_iii
Melania Vanishes From Box Office Charts After Just 4 Weeks Melania Trump’s documentary, which chronicled her time as first lady, has disappeared from domestic box office charts just four weeks after its release. Despite initial praise from the Trump campaign, the film failed to attract widespread audiences, with its earnings falling far short of expectations. The documentary, produced by Amazon MGM, was released on January 30, 2026, and earned approximately $7 million in its opening weekend. However, by the end of its theatrical run, it had grossed around $16.2 million domestically and an additional $187,000 internationally. The film’s box office performance was overshadowed by its limited international reach. It was pulled from South Africa before its scheduled release and struggled in the United Kingdom, where it was no longer showing as of February. Critics and audiences reacted sharply to the documentary, with its critics’ score on Rotten Tomatoes at a dismal 11 percent. Meanwhile, audience approval stood at 98 percent, highlighting a stark divide in reception. The film was also accused of being review-bombed online before its release, with some users flooding platforms like Letterboxd with negative critiques. Amazon MGM spent $40 million to acquire the documentary and an additional $35 million on marketing, yet its earnings did not justify the investment. The film’s director, Brett Ratner, faced scrutiny over his involvement in the Epstein files, and the production team was criticized for using musical numbers without permission. Posters for the film were also vandalized, with reports of “extensive and severe” damage. Despite its financial underperformance, the documentary remains available for streaming on Amazon.#melania_trump #amazon_mgm #brett_ratner #rottent_tomatoes #letterboxd
