Vladimir: A Portrait of Self-Deception and Obsession In the final act of Netflix’s Vladimir, Rachel Weisz’s character confronts the tangled web of relationships that have ensnared her. She realizes her younger colleague, Vlad (Leo Woodall), has been clinging to a narrative of his own about their ambiguous flirtation, while her philandering husband, John (John Slattery), has been operating under a different set of assumptions. Both men see her as a peripheral figure in their personal stories, believing their lives will unfold according to their own designs. But she warns that there are forces beyond their control—most notably, herself. Weisz’s portrayal of the antiheroine, a woman who is both hilariously blinkered and oddly compelling, elevates Julia May Jonas’ adaptation of her novel into a more complex and layered narrative than its feminist undertones might initially suggest. The story unfolds against the backdrop of a prestigious liberal arts college, where John, once the head of the English department, faces accusations of sexual misconduct with his students. The women involved, now in their late 20s, claim his actions constituted abuse of power, while John insists they were all consenting adults, even his wife, who allegedly agreed to an open marriage. Our protagonist, a creative writing professor, initially sides with her husband, avoiding discussions of the scandal and deflecting with phrases like “it was a different time.” Her narration, which breaks the fourth wall with a sardonic edge, critiques the women’s willingness to surrender their agency to affairs they chose to have. Yet she hesitates to voice these thoughts to her students, who are eager to see John removed and her to stop “doing the supportive wife thing.” As John’s disciplinary hearing approaches, her infatuation with Vlad intensifies.#rachel_weisz #julia_may_jonas #john_slattery #leo_woodall #vladimir
Vladimir Review – Rachel Weisz is Unswervingly Brilliant in a TV Show You’ll Admire for Years to Come This eight-part adaptation of Julia May Jonas’s 2022 novel Vladimir delivers a masterclass in television storytelling, blending sharp wit, moral ambiguity, and nuanced character dynamics. Starring Rachel Weisz, Leo Woodall, and John Slattery, the series captures the complexities of middle-aged life with unflinching honesty. Jonas, who wrote, created, and executive produced the show, ensures the adaptation retains the original’s provocative spirit, translating its themes of black comedy, bleak introspection, and societal critique into a compelling narrative for adult audiences. At its core, the series follows an unnamed English professor, played by Weisz, whose life unravels when her husband, John (Slattery), is suspended for sleeping with students. His defense—that the rules were different in his time—sparks a broader exploration of generational attitudes toward power, morality, and accountability. Weisz’s performance is nothing short of extraordinary, embodying the character’s intellectual pride and emotional restraint. Her portrayal of a woman who has long prioritized intellect over emotion now faces the chaos of desire, particularly as she becomes entangled with Vladimir (Woodall), a charismatic young colleague whose own marriage to Cynthia (a rising academic) adds layers of tension. The show excels in its unflinching examination of the gray areas that govern human relationships. Weisz’s character, accustomed to navigating the complexities of academia, finds herself grappling with the consequences of her husband’s actions as the number of complainants grows.#netflix #rachel_weisz #julia_may_jonas #john_slattery #leo_woodall
