Harry Styles lets the music — and the joy — take over Harry Styles’ new album, Kiss All the Time. Disco, Occasionally, feels like a vibrant, unpredictable event. Following his Grammy-winning Harry’s House, this latest release is an experimental pop journey that blends homage, electronica, and a sense of wild celebration. The album, co-produced by Kid Harpoon and Tyler Johnson, is designed for the earbud era, offering a rich tapestry of sounds—from fleeting guitar riffs to pulsating synthesizers—that invites listeners to immerse themselves in its sonic world. Styles, who recorded the album in Berlin, has drawn comparisons to David Bowie’s Berlin Trilogy (Low, Heroes, Lodger). The city’s influence is evident in the album’s avant-garde approach, with Styles embracing bold, unconventional choices. Yet, he credits the “joyous” energy of LCD Soundsystem as a key inspiration, infusing the project with a sense of exuberance and humor. This spirit permeates tracks like the lead single Aperture, which features a hypnotic synthesizer and subdued vocals, and Coming Up Roses, an orchestral ballad that layers strings into a sweeping, emotional crescendo. The album’s lyrics balance wit with philosophical reflection, addressing modern anxieties while encouraging a return to simplicity. In Season 2 Weight Loss, Styles critiques ego-driven obsessions, suggesting that the world’s chaos often stems from overanalysis. “It’s kind of sad,” he sings, “but there’s something I know / Too many things for you to analyze.” The solution, he implies, is to let light in—both literally and metaphorically. Songs like Paint by Numbers pause the album’s disco-driven rhythm to celebrate mundane pleasures, such as spending time outdoors or enjoying music.#kid_harpoon #harry_styles #tyler_johnson #berlin #lcd_soundsystem
Harry Styles’s ‘Kiss All the Time. Disco, Occasionally.’: A Totally Biased Song-by-Song Review Harry Styles’s fourth album, Kiss All the Time. Disco, Occasionally., marks a bold departure from his previous work, blending electronic beats with his signature singer-songwriter intimacy. Released after a two-year hiatus following his 2022 album Harry’s House and 2023’s Love on Tour, the project reflects a period of introspection and reinvention. Styles, known for his unapologetic embrace of vulnerability and artistry, has leaned into a new sound that merges disco, techno, and dancehall influences, while retaining the emotional depth that has defined his career. The album’s title itself hints at its duality—a balance between the occasional disco flair and the more intimate, kiss-focused tracks that highlight his storytelling prowess. The album opens with “Aperture,” a track that sets the tone for the record. Its pulsating beats and infectious energy signal a shift toward a more dance-oriented sound, while its lyrics—such as “We belong together”—reinforce the sense of connection Styles has cultivated with his fans. The song feels like a return to the communal experience of live performance, echoing his past tours and the moments he spent as an audience member during shows like Radiohead’s. This track, described as the “showpony” of the album, serves as both a gateway to the new sound and a reminder of the bond between Styles and his audience. Styles continues to explore themes of self-reflection and emotional vulnerability throughout the album. On “Are You Listening Yet?,” a slow-burning, spoken-word-infused track, he delves into a midlife identity crisis, questioning his fulfillment as a pop star and his relationship with fame.#aperture #harry_styles #kiss_all_the_time_disco_occasionally #are_you_listening_yet #taste_back
Harry Styles Releases New Album: Listen and Read the Full Credits Harry Styles has released his new album, Kiss All the Time. Disco, Occasionally., marking his follow-up to Harry’s House. The project features a wide array of collaborators, including Ellie Rowsell of Wolf Alice and Tom Skinner of The Smile, who contributed to its creation. The album is executive produced by Kid Harpoon, with mixing handled by Mark “Spike” Stent and his assistant Kieran Beardmore. Emily Lazar mastered the record, supported by Bob DeMaa. Alongside the album, Styles has announced plans for a concert film titled One Night In Manchester. The album’s credits highlight the extensive involvement of various artists and engineers. Background vocals were provided by Ellie Rowsell, while the House Gospel Choir, featuring members like ZaZa Wright, Dean Patron, and Monique Meade, added depth to several tracks. Brian Rajaratnam and Liam Hebb played key roles in engineering, with additional contributions from Kian Moghaddamzadeh, Tommy Bosustow, and others. The recordings took place at multiple studios, including Hansa Studios, RAK Studios, and Abbey Road Studios. Track details reveal further collaboration. For instance, the song “American Girls” features Tyler Johnson as a co-writer and producer, with engineering credits shared between Rajaratnam and Hebb. “Ready, Steady, Go!” includes additional production by Johnson and was mixed at SLS Studios. The track “Are You Listening Yet?” features a choir and additional engineering by Nick Lobel and Owen Stoutt. Each track’s credits reflect a blend of technical and creative contributions, underscoring the collaborative nature of the project.#harry_styles #ellie_rowsell #tom_skinner #kid_harpoon #mark_spike_stent
