Olivia Wilde & Jason Sudeikis Have Co-Parenting Down To A Science: 'Getting The Best Of Us' Ending a relationship is never easy, and the situation only gets more complicated when there are kids involved. From legal worries like child support and custody to the daily practicalities of raising children between two homes, co-parenting with an ex can be a veritable minefield of potential conflicts. But it seems some celebrities have co-parenting down to a science, such as former couple Olivia Wilde and Jason Sudeikis. After meeting at a Hollywood party in 2011, actor-turned-director Wilde and "Ted Lasso" star Sudeikis quickly hit it off and got engaged in 2012. They then welcomed a son, Otis, in 2014, and a daughter, Daisy, in 2016. Still, there was no wedding date in sight—not necessarily a red flag, as many famous celebrity couples never plan to get married. But as the years went on, it became clear that something wasn't working, and the duo eventually called off their engagement in 2020. "There was absolutely no drama or scandal; they just didn't work as a couple anymore," an anonymous source told ET at the time. And while the years following their split were sometimes rocky, Wilde and Sudeikis never lost sight of their children's well-being. "Their kids are their number one priority and at the forefront of any decision they make," ET's source went on. "They will continue to be each other's biggest supporters, especially when it comes to parenting." And it seems that Wilde and Sudeikis have cracked the code to civil cooperation. As Wilde said on the "Call Her Daddy" podcast, their kids "are consistently getting the best of us in a way that when we were together was not possible." Time and again, Wilde has been outspoken that splitting up has actually made her and Sudeikis better parents.#call_her_daddy #olivia_wilde #jason_sudeikis #otis_daisy #ted_lasso
Olivia Wilde and Jason Sudeikis Master Co-Parenting: 'Getting the Best of Us' Olivia Wilde and Jason Sudeikis have emerged as a model for successful co-parenting, navigating the complexities of raising their children after their high-profile split. The duo, who met at a Hollywood party in 2011, began dating shortly after and quickly became engaged in 2012. Their relationship culminated in the birth of their son, Otis, in 2014, and daughter, Daisy, in 2016. Despite their initial plans to marry, the couple called off their engagement in 2020, citing a lack of compatibility rather than drama or scandal. While their separation was not without challenges, both parents have prioritized their children's well-being above all else. The couple's approach to co-parenting has been marked by mutual respect and a commitment to their children's needs. Wilde and Sudeikis have openly discussed how their split has allowed them to focus more deeply on their roles as parents. On the "Call Her Daddy" podcast in 2026, Wilde reflected on the shift in their dynamic, stating that their children "are consistently getting the best of us in a way that when we were together was not possible." She emphasized that sharing custody has given her the space to be fully present with her kids, while trusting Sudeikis to handle their care during his time. "I have this space, which is permission to then go work," she explained, highlighting the balance they’ve achieved between parental responsibilities and personal priorities. Sudeikis has also spoken candidly about the importance of being present for his children. In a 2018 interview with Us Weekly, he joked, "At least I'll know how I screwed them up!" while underscoring the value of staying engaged with his kids.#call_her_daddy #us_weekly #olivia_wilde #jason_sudeikis #otis_daisy
Olivia Wilde Reveals Walton Goggins Saved Her Life During Movie Set Accident Olivia Wilde has shared a harrowing account of how Walton Goggins intervened to save her life during a dangerous horse accident while filming Jon Favreau’s 2011 film Cowboys & Aliens. The incident, which Wilde recounted on Monday’s episode of Dax Shepard’s Armchair Expert podcast, occurred during a high-stakes scene involving the cast and a chaotic desert chase. Wilde, who portrayed a mysterious woman in the space Western, described the moment she was thrown from a horse and faced a life-threatening situation. The film, set in 1873 Arizona, featured a star-studded cast including Daniel Craig, Harrison Ford, and Goggins, who played an outlaw. Wilde explained that the accident happened during a particularly intense sequence where the actors were galloping across the desert with a large group of horses. “We were two months into filming, and we got real cocky with it,” she said. “We were pretty competitive, and it was me, Daniel Craig, and Harrison Ford galloping like full sprint across the desert with 40 horses behind us.” The scene involved a dramatic leap over a six-foot ditch, which Wilde had anticipated. “I could see ahead of us that there was a large ditch,” she recalled. “I was like, this horse is going to jump that ditch. And I’m on this western saddle, no helmet, because I’m playing like an old-timey lady.” Despite her experience riding English-style horses, the Western-style mount proved challenging. As the horse leapt, Wilde was thrown off, landing on her head and back. She described the moment as terrifying, with dust obscuring her from the charging horses behind her. “I remember having my ear to the ground and I could hear it. It sounded like thunder, like they were coming towards me,” she said.#walton_goggins #olivia_wilde #jon_favreau #cowboys_aliens #dax_shepard
Olivia Wilde and Seth Rogen’s New Movie Earns Strong Rotten Tomatoes Score Olivia Wilde and Seth Rogen’s comedy-drama The Invite has received overwhelmingly positive reviews from critics, with the film currently holding a 91% Tomatometer score on Rotten Tomatoes based on 35 reviews. The star-studded project, directed by Wilde and written by Rashida Jones and Will McCormack, is set for a limited theatrical release by A24 on June 26, 2026. The film, which is based on a 2020 Spanish film, has been praised for its sharp writing, performances, and direction, with critics highlighting its blend of humor and emotional depth. The screenplay, co-written by Jones and McCormack, follows a long-married couple who find themselves in over their heads, a premise that has been lauded for its nuanced exploration of relationships and personal struggles. The film’s cast includes Wilde, Rogen, Penélope Cruz, and Edward Norton, with each actor bringing their unique flair to the story. Critics have noted the chemistry between the cast members, with some calling the performances “synced up” in a way that enhances the film’s authenticity. Reviews from major outlets have been largely enthusiastic. Rolling Stone’s David Fear praised the film for avoiding “stagy or stodgy” pitfalls, while calling attention to the actors’ ability to harmonize their individual styles. The New York Post’s Johnny Oleksinski described the film as “sophisticated, snappy, seductive, and stupendously funny,” emphasizing its balance of wit and emotional resonance. The Hollywood Reporter’s David Rooney stated that the film “should silence the doubters” about Wilde’s directing capabilities, a sentiment echoed by The Daily Beast’s Nick Schager, who called it “a hysterical, insightful, and ultimately moving portrait.#a24 #olivia_wilde #seth_rogen #rashida_jones #will_mccormack
Olivia Wilde on Shooting "The Invite" in San Francisco Olivia Wilde’s third feature film, The Invite, a San Francisco-set comedy-drama, premiered at the San Francisco International Film Festival and is set for a theatrical release in June. The film, distributed by A24 Films, opens with a quote from Oscar Wilde, the playwright whose sharp wit and romantic ideals inspired the director. The title screen reads, “One should always be in love. That is the reason one should never marry,” a line that sets the tone for the film’s exploration of love, marriage, and the complexities of adult relationships. Wilde stars alongside Seth Rogen as Angela and Joe, a bickering couple living in a sprawling apartment Joe inherited from his father. The film follows their tense dynamic as Joe, exhausted from his daily commute, returns home to find Angela has invited their upstairs neighbors, Pina (Penélope Cruz) and Hawk (Edward Norton), for dinner. Joe, who harbors resentment toward the neighbors for their loud nighttime sex, is unenthusiastic about the gathering, setting the stage for a night of conflict and introspection. Wilde, who also directed the film, described the San Francisco shooting locations as “dreamy” and “stunning.” Filming took place over two days, with the city’s iconic landmarks and neighborhoods providing a rich backdrop. “It couldn’t have been clearer or more beautiful,” she said, though she humorously noted the cold weather as a San Francisco trademark: “Of course, it was freezing, because that’s what you guys do here.” The film’s setting, she explained, added texture to the story, capturing the city’s cinematic allure. The film’s narrative delves into the emotional struggles of its characters, particularly the toxic cycle of resentment and dependency in relationships.#san_francisco #olivia_wilde #a24_films #penelope_cruz #edward_norton
San Francisco International Film Festival Opens with Star Power and Local Pride The 69th edition of the San Francisco International Film Festival (SFFILM) kicked off on Friday night at the newly renovated Castro Theatre, drawing global stars and local pride as two high-profile premieres highlighted the city’s cultural significance. Olivia Wilde and Greta Lee, two acclaimed actors, unveiled their latest films, The Invite and Late Fame, respectively, with both projects deeply rooted in San Francisco’s unique character. The opening night event underscored the city’s role as a creative hub and a backdrop for storytelling, as well as the enduring appeal of in-person cinema. Wilde’s The Invite, a relationship-driven comedy filmed in San Francisco, premiered at the Castro Theatre, a venue she described as “exquisite” and historically significant. The film, which stars Penelope Cruz, Edward Norton, and Seth Rogen, follows two San Francisco couples whose casual dinner gathering spirals into unexpected drama. Wilde, who also directs and stars in the film, emphasized the city’s integral role in the story. “The film was written to be about San Franciscans,” she said, noting that her mother is from the city and that she has lived there her entire life. “I loved that the characters were from here. It felt like a natural fit.” The film was shot in locations such as North Beach and the Mission District, with the cast spending two days filming in the city. Wilde expressed deep emotion about screening the film at the Castro, which she called “a proper film projector” that evokes the cinematic experience of a century ago. Meanwhile, Greta Lee’s Late Fame, a drama co-starring Willem Dafoe, premiered to a packed audience at the same venue.#olivia_wilde #san_francisco_international_film_festival #castro_theatre #greta_lee #anne_lai
Olivia Wilde's 'The Invite' Explores Bay Area Dynamics Through Dark Comedy Olivia Wilde’s new film The Invite, a claustrophobic and irreverent comedy directed by the actress herself, is set in San Francisco, a city that Wilde described as a “cultural melting pot” and a place where the “texture, vibe, and specificity” of daily life shape the story. The film premiered at the Sundance Film Festival in 2026 to universal acclaim, sparking a bidding war that led to its acquisition by distributor A24 for over $10 million. It is set for a theatrical release on June 26. The film’s San Francisco setting was integral to its narrative, with Wilde emphasizing that the story could only have been set in the city. The film’s opening screening at the San Francisco International Film Festival (SFFILM) on April 25, 2026, drew significant attention, with Wilde in attendance. The film’s San Francisco scenes, which include locations like Molinari Delicatessen, A.P. Giannini Middle School in the Outer Sunset, and the Glen Park BART station, are presented as B-roll in the film but serve as a backdrop for a darkly comedic exploration of marriage, class, and social dynamics. Wilde, who stars as Angela, a mother and homemaker obsessed with renovating her vintage San Francisco apartment, described the city’s role in the story as essential. “When you see the film, it really does make sense that this particular group is from here,” she said during a Q&A following the screening. The film’s plot centers on Angela and her husband Joe (played by Seth Rogen), a disgruntled music teacher at an East Bay conservatory who cycles up San Francisco hills on a bike too small for him. Their marriage is on the brink of collapse, with the couple squabbling over trivial domestic details.#a24 #olivia_wilde #sundance_film_festival #san_francisco_international_film_festival #sffilm
Harry Styles’ “Paint By Numbers” Lyrics Seemingly Address His Olivia Wilde Split Harry Styles’ new song “Paint By Numbers” appears to delve into personal reflections, including his past relationship with Olivia Wilde. The track, part of his album Kiss All the Time. Disco Occasionally, shifts from his usual funky bops like “Aperture” to a more introspective and vulnerable tone. The lyrics seem to explore themes of love, self-identity, and the challenges of maintaining a public persona while navigating personal relationships. The song references his split from Wilde, whom he dated for two years after she directed him in Don’t Worry Darling in 2020. Wilde, who shares children Otis and Daisy with her ex-husband Jason Sudeikis, was in a relationship with Styles when they parted ways in 2022. The lyrics include lines that hint at the emotional weight of the breakup, such as “Holding the weight of the American children whose hearts you break,” and a direct question: “Was it a tragedy when you told her, ‘I'm not even 33’?” This line suggests a critique of the age gap or the complexities of their relationship. Styles also contrasts his celebrity image with his true self, lamenting the compromises required to sustain his career. The song’s closing lines reflect on the duality of his life, stating, “It’s a lifetime of pickin’ from one or the other,” and referencing the fleeting nature of youth with the line “Kids with water guns, watch them run.” These lines underscore the tension between public expectations and personal authenticity. The track’s confessional tone marks a departure from Styles’ usual style, offering a glimpse into his emotional landscape. Fans have interpreted the lyrics as a candid look at his experiences, blending personal vulnerability with broader themes of fame and identity.#harry_styles #olivia_wilde #don_t_worry_darling #jason_sudeikis #otis_daisy
