#imax

Christopher Nolan’s The Odyssey Makes Strong Box Office Debut Christopher Nolan’s epic adaptation of Homer’s Odyssey has launched with impressive momentum, securing a $51.2 million opening weekend in North America from 3,900 screens, including Thursday previews. The film, starring Matt Damon as Odysseus, is projected to surpass $120 million domestically, positioning it as the biggest live-action debut of 2026 and the top R-rated opening of the year. Universal Pictures’ ambitious project, with a $250 million production budget, was initially targeting a mid-$80 million to $100 million domestic launch, making its early performance a significant success. Globally, The Odyssey is expected to gross $257.8 million for the summer weekend, with $137.3 million from 73 international markets. This marks a stronger start than anticipated, bolstered by its unique production approach. The film is the first Nolan feature shot entirely on IMAX cameras, a decision that has drawn enthusiastic responses from audiences. Cinemagoers have flocked to 25 U.S. theaters screening IMAX 70mm film, with the film targeting $30 million from IMAX screens domestically and an additional $22 million internationally. The film’s cast includes Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong’o, Zendaya, and Charlize Theron, who portray key characters in Odysseus’ journey to reclaim his throne and reunite with his wife, Penelope. Nolan and Emma Thomas produce the film through Syncopy, with the project emphasizing its commitment to premium large-format cinematography. The Odyssey is also poised to become Nolan’s highest-grossing global opener, surpassing The Dark Knight Rises’ $249 million worldwide launch.#universal_pictures #the_odyssey #matt_damon #imax #christopher_nolan

Christopher Nolan Discusses 'The Odyssey' and IMAX Innovation in New Film Christopher Nolan, the renowned British-American film director, producer, and screenwriter, recently sat down with KSL ahead of the release of his new film adaptation of Homer’s The Odyssey. The project marks a significant milestone as it is the first feature film shot entirely on IMAX film, a format Nolan described as inherently challenging to master. The director highlighted his deep connection to IMAX technology, particularly his relationship with David Keighley, the late chief quality officer of IMAX, who played a pivotal role in shaping the format’s use in Hollywood. Nolan revealed that the film’s production was made possible through Keighley’s mentorship, which began decades earlier. He noted that Keighley was instrumental in convincing IMAX executives to adopt their cameras for narrative films, a shift from their traditional use in documentaries. The director emphasized that Keighley’s influence extended to the creation of the new IMAX camera, named in his honor. “David was my IMAX mentor for 20 years—just an incredible craftsman,” Nolan said. “He was the longest-serving IMAX employee, and his work in the early days of the company laid the foundation for everything we’re doing now.” The film’s production began with the release of The Dark Knight, where Nolan and Keighley collaborated on the iconic Joker’s introduction and the bank heist sequence. Nolan described this as a turning point, as it demonstrated the potential of IMAX to elevate storytelling in mainstream cinema. Keighley passed away after completing his work on The Dark Knight, a loss Nolan acknowledged with deep respect. “He was the person who first had to believe that we could take their cameras and start making Hollywood films with them,” the director recalled.#the_odyssey #imax #the_dark_knight #christopher_nolan #david_keighley

Movie Tickets Reach $50 as Premium Formats Dominate Movie theater ticket prices have surged to as high as $50, with premium formats like IMAX and 4DX drawing increasing numbers of customers willing to pay top dollar despite a decline in overall attendance. According to data from research firm EntTelligence, cited by The Wall Street Journal, premium formats accounted for 17 percent of movie tickets sold in 2025, up from 13 percent in 2021. This shift reflects a growing consumer preference for enhanced viewing experiences, even as general moviegoer numbers have dwindled. The trend was highlighted by the release of Dune: Part Three in December, where fans paid $50 for individual tickets at select Regal Cinema locations offering a special 70 mm format. The film’s first batch of IMAX tickets sold out within minutes of release, overwhelming some websites and causing technical outages, as reported by Yahoo Entertainment. These high prices underscore a broader industry move toward catering to audiences with larger budgets, with theater operators investing over $1.5 billion in upgrades in 2025. Commercial real estate media site CRE noted this investment signals a “growing belief in premium, resilient cinema formats.” Some of these upgrades have merged the moviegoing experience with dining, as highlighted by commercial real estate resource firm Bisnow. However, the decline in overall attendance remains a significant challenge. U.S. and Canadian movie ticket sales have dropped 37 percent since 2019, according to a March analysis by Pew Research Center. Adam Aron, CEO of AMC Theatres, acknowledged the financial benefits of higher per-patron revenue, stating, “The good news is we’re making more money per patron than we made prior to Covid [but] it’s not a good thing that patronage is down as much as it’s been.#dune_part_three #imax #regal_cinema #amc_theatres #cinemark

The Daniels Return With Sci-Fi Action Movie Set for 2027 Release Four years after Everything Everywhere All at Once captivated audiences and critics alike, the filmmaking duo Daniel Kwan and Daniel Scheinert, known as the Daniels, are preparing their next project. The pair revealed details about their upcoming film during a conversation with Collider’s Steve Weintraub at South by Southwest in Austin, Texas. Kwan shared that production will begin this summer, with the film slated for a 2027 holiday season release. While specifics remain scarce, the Daniels have confirmed it will be a science fiction action comedy, continuing their tradition of blending genre elements with sharp storytelling. This will be their third film following Everything Everywhere All at Once and their 2016 debut, Swiss Army Man, marking their first major release in nearly six years. Kwan emphasized the challenges of crafting a film that reflects the complexities of the modern world. “What we’re feeling and what we’re hearing from the world is very complex and really nuanced,” he explained. “There’s so much paradox. To reconcile all those things and put them into one movie, it takes time.” He described the project as an “existential” sci-fi action comedy with a “big heart,” aiming to entertain while addressing the intricacies of contemporary life. The lengthy development period, he noted, is a deliberate choice to ensure the film resonates deeply with audiences. The Daniels have also expressed enthusiasm for the IMAX format, which they believe enhances the cinematic experience. Kwan likened theaters to “a wine” best enjoyed in the right vessel, arguing that the scale of IMAX screens triggers a sense of awe and communal viewing that cannot be replicated at home.#collider #imax #daniel_kwan #daniel_scheinert #south_by_southwest

Imax Expands Asia-Pacific Strategy After Record Box Office in 2025 Imax has embarked on a strategic shift in the Asia-Pacific region, marked by a record-breaking performance in 2025 that underscores its growing diversification beyond its traditional reliance on China. The company reported $1.28 billion in global box office revenue for the year, a 40% increase compared to 2024. The Asia-Pacific region alone contributed nearly half of this total, with a year-on-year surge of almost 80%. China, which had long been Imax’s primary market in Asia, accounted for $407 million in revenue—its highest-ever contribution, surpassing the previous record set in 2019 by 5%. Asia excluding China added $230 million, also a record for that region. This spread of success across diverse markets such as Japan, India, Australia, Indonesia, Malaysia, Thailand, and Vietnam signals a fundamental shift in Imax’s growth strategy. Giovanni Dolci, Imax’s chief commercial officer, emphasized that the era of a single market driving the company’s expansion is over. Speaking to Variety, Dolci noted that in 2025, Imax’s new theater agreements were evenly distributed across Asia-Pacific, continental Europe, and other regions. Record signings in Japan and Australia, new deals in Germany and France, and a balanced contribution from multiple markets highlighted a more resilient and diversified growth model. “Five years ago, if you asked me where Imax’s growth was coming from, the answer was China. Ten years ago, it was North America,” Dolci said. Now, no single market dominates, and this balance is a deliberate business strategy. China remains Imax’s largest market, with 797 locations—nearly 44% of the company’s 1,796 total theaters.#pvr_inox #imax #giovanni_dolci #wanda #ramayana