Olivia Rodrigo's "The Unraveled Tour": How to Get Tickets Olivia Rodrigo has announced her third headline tour, "The Unraveled Tour," which will span 65 dates across North America, Europe, and the UK in support of her upcoming third studio album. Promoted by Live Nation, the tour marks her largest North American run to date and her first solo headline outing since her 2024-2025 "GUTS World Tour." The tour will kick off on September 25, 2026, in Hartford, Connecticut, and conclude on May 2, 2027, in Barcelona, Spain. The North American leg will run through February 2027, featuring multi-night stops in major cities such as Chicago, Boston, Toronto, Los Angeles, New York, and Washington, D.C. The European and UK leg will follow in March through May 2027, with stops in Stockholm, Amsterdam, Munich, Paris, Milan, and Barcelona. Tickets for the tour will go on sale to the general public on May 7, 2026, at 12:00 p.m. local time via Ticketmaster. VIP packages and experiences are also available through VIP Nation. Pre-sales will occur ahead of the general on-sale, including an American Express pre-sale for cardholders starting on May 5, 2026, and a UK-specific O2 pre-sale for fans. European and UK ticket buyers can register for additional presales by pre-ordering the album or signing up at OliviaRodrigo.com. Rodrigo is also reintroducing her Silver Star Tickets program, offering limited $20 USD tickets (or local currency equivalent) at a later date. Additional venue and radio pre-sales may be announced closer to the on-sale date. Fans can purchase tickets through secondary market platforms like StubHub, which provides a FanProtect guarantee covering purchases at 120% if issues arise.#ticketmaster #live_nation #olivia_rodrigo #geffen_records #vip_nation
Olivia Rodrigo Announces The Unraveled Tour: A Global 65-Date Journey Supporting New Album Olivia Rodrigo has unveiled her highly anticipated The Unraveled Tour, a sprawling 65-date international trek set to span North America, Europe, and the United Kingdom. The tour, which will support her third studio album You Seem Pretty Sad for a Girl So in Love, is scheduled to begin on Friday, September 25, at Hartford, Connecticut’s PeoplesBank Arena. The album, set for release on June 12 via Geffen Records, marks a significant evolution in Rodrigo’s musical journey, blending mature themes with the emotional depth that defined her earlier work. Promoted by Live Nation, the tour will feature multi-night performances in major cities such as Washington, D.C., Chicago, Atlanta, Vancouver, Oakland, Las Vegas, Stockholm, Paris, Milan, and more. The tour’s itinerary includes extended stays in key markets, with four-night runs at Los Angeles’ Intuit Dome, Brooklyn’s Barclays Center, and London’s The O2. Special guests such as Devon Again, Die Spitz, Grace Ives, The Last Dinner Party, and Wolf Alice will join Rodrigo on select dates, adding to the tour’s appeal. Ticket sales will open with presales starting on Tuesday, May 5, followed by a general sale on Thursday, May 7, at noon local time. VIP packages will also be available, offering fans exclusive access to premium experiences. A notable feature of the tour is the continuation of Rodrigo’s Silver Star Tickets initiative, which provides limited $20 tickets (or local currency equivalent, plus taxes where applicable) to fans. These tickets, introduced during her Guts World Tour, aim to make live performances more accessible. Purchases must be made in pairs, with a maximum of two per order, and seats will be assigned together.#live_nation #olivia_rodrigo #the_unraveled_tour #geffen_records #the_sour_tour
Live Nation Offers $30 Summer Concerts in Metro Detroit Live Nation has announced the return of its Summer of Live promo, offering $30 tickets to more than 60 concerts across Metro Detroit this summer. The deal includes a variety of artists, with notable names such as Kid Cudi, Tim McGraw, John Mellencamp, Wu-Tang Clan, and others. Tickets for the event will go on sale to the public on April 29, with pre-sale access available to Live Nation All Access members starting at 10 a.m. on April 28. The $30 price includes all fees. The concerts will take place at several venues across Metro Detroit, including Little Caesars Arena, Pine Knob Music Theatre, Michigan Lottery Amphitheatre, and Meadow Brook Amphitheatre. Specific events include Demi Lovato with ADÉLA on April 28 at Little Caesars Arena, followed by Summer Walker with Monaleo and Odeal on May 31. Lionel Richie & Earth, Wind & Fire will perform on July 1, and Bryan Adams with Pat Benatar and Neil Giraldo will headline on August 15. Pine Knob Music Theatre will host Kid Cudi with M.I.A., Big Boi, and A-Trak on May 23, Kesha with Chromeo & Sizzy Rocket on June 5, and John Mellencamp on July 16. Other events at the venue include Santana & The Doobie Brothers on June 18, Sammy Hagar with Rick Springfield & Dauzat St. Marie on June 19, and The Pussycat Dolls with Lil’ Kim & Mya on July 3. Michigan Lottery Amphitheatre will feature Khalid with LAUV on May 21, 311 & Dirty Heads with Ocean Alley & ROME on July 30, and Bleachers with This is Lorelai on September 29. Meadow Brook Amphitheatre will host SatchVai Band (Joe Satriani and Steve Vai) with Animals as Leaders on May 16, The Beach Boys on August 15, and CAAMP with Whitney on September 24.#live_nation #little_caesars_arena #pine_knob_music_theatre #michigan_lottery_amphitheatre #meadow_brook_amphitheatre
John Mulaney Brings Mister Whatever Tour to Ithaca with Two Shows, 2026 Dates Now on Sale John Mulaney is set to deliver his Mister Whatever tour to Ithaca tonight, with two performances scheduled at the State Theatre. The Emmy-winning comedian will headline the venue at 4:00 PM and 7:30 PM, marking a significant stop on his expanding 2026 tour. Additionally, 23 new dates have been added to the tour schedule, extending it through November 2026 and covering major cities and regional markets across the United States and Canada. The Ithaca stop represents a key milestone for Mulaney’s tour, which is now his most ambitious schedule to date. The Mister Whatever tour features entirely new stand-up material centered on themes like fatherhood and personal growth, with fans anticipating high-energy, relatable performances. The State Theatre, a premier venue in upstate New York, will host both shows, offering audiences the chance to experience Mulaney’s latest comedic work. The tour expansion reflects strong demand for Mulaney’s new material, as Live Nation, the tour’s promoter, confirmed all newly added dates are now on sale. Ticket prices vary by venue, typically ranging from approximately $50 to $200, depending on location and demand. Mulaney’s tour has already seen sold-out shows in previous markets, raising anticipation for the Ithaca performances. Mulaney’s tour continues to build momentum, with upcoming stops including Buffalo, New York, on April 2-3, and major metropolitan areas throughout the spring and summer. The tour culminates with a historic headline performance at Wrigley Field in Chicago on July 11, 2026, making Mulaney one of the few comedians to headline a major sports stadium. This milestone underscores his growing cultural influence and the widespread appeal of his work.#live_nation #wrigley_field #john_mulaney #state_theatre #mister_whatever_tour
Madison Beer kicks off Locket Tour in May with European dates Madison Beer officially launched The Locket Tour in May 2026, marking her first arena tour and a significant step in her career. The tour spans Europe, the UK, and North America, with European dates serving as the opening leg. Fans reacted enthusiastically on social media, and tickets are now available through Ticketmaster. The tour is a milestone for Beer, who previously sold out iconic venues like Radio City Music Hall during earlier tours. Her third studio album, Locket, released on January 16, 2026, includes the singles “Make You Mine” and “Bittersweet.” The latter became her first entry on the Billboard Hot 100, while the former earned a Grammy nomination for Best Dance Pop Recording. Beer, 27, celebrated her birthday in March 2026 amid growing anticipation for the tour. The European leg features four major cities in Central and Western Europe: Kraków’s TAURON Arena, Vienna, Munich, and Berlin. These arena-sized venues highlight the scale of the tour, which was announced on January 13, 2026, through Live Nation. Pre-order bundles were available shortly after, with European fans reporting rapid sell-outs, particularly for VIP packages. Following the European dates, the tour moves to the UK in May, starting at The O2 in London. North American shows begin in June 2026, opening in Austin, Texas, and conclude with a sold-out finale at Madison Square Garden in New York on July 13, 2026. Special guests Isabel LaRosa and Lulu Simon will open each leg of the tour. The Locket Tour includes 32 shows across three continents, reflecting Beer’s growing influence and the album’s critical and commercial success. The tour’s extensive schedule, spanning May through July 2026, requires meticulous planning and execution.#ticketmaster #live_nation #madison_beer #locket_tour #tauron_arena
Chelsea Handler's High and Mighty Tour Concludes in Vancouver Comedian, author, and part-time Whistler resident Chelsea Handler has confirmed that Vancouver will serve as the final stop for the second leg of her High and Mighty Tour. The event will take place at Vancouver’s Queen Elizabeth Theatre on December 6, timed to coincide with the start of ski season. Handler, an avid skier, owns a home in Whistler and frequently enjoys the Coastal Mountain slopes during the winter months. Tickets for the tour will go on sale in phases, with an artist presale beginning March 25. Additional presales will occur throughout the week leading up to the general on-sale, which starts on March 27 at 10 a.m. Fans can purchase tickets through LiveNation.com or ChelseaHandler.com. Handler’s latest standup special, Chelsea Handler: The Feeling, premiered on Netflix on March 25, 2025, marking her third special for the platform. Beyond her comedy career, Handler is known for her seven New York Times bestselling books, including her 2025 release I’ll Have What She’s Having. She also hosts the podcast Dear Chelsea and maintains a residency at the Cosmopolitan hotel in Las Vegas with her show Chelsea at The Chelsea, The Las Vegas Residency. In January 2026, she will host her fourth Critics’ Choice Awards show, following her previous work on the E! network’s Chelsea Lately (2007–2014) and her Netflix documentary series Chelsea Does (2016). Handler’s travel interests are evident in her social media presence, where she was recently spotted enjoying a weekend in Tofino with Canadian singer Jann Arden. Her Vancouver performance marks the end of the tour’s Canadian leg, with a prior stop in Toronto on October 10.#live_nation #vancouver #chelsea_handler #queen_elizabeth_theatre #cosmopolitan_hotel
Jay-Z Adds Third Yankee Stadium Concert After Instant Sellouts Jay-Z’s return to the stage at Yankee Stadium will include a third concert this summer following the rapid sell-out of his previously announced shows. The rapper, known for his iconic status in hip-hop, has added a new date for July 12, titled JAŸ-Z EXTRA INNINGS, which will go on sale for tickets starting March 24 at 1 p.m. local time via Live Nation’s website. The initial two concerts, scheduled for July 10 and 11, will mark significant milestones in Jay-Z’s career. The July 10 performance will commemorate the 30th anniversary of his 1996 debut album Reasonable Doubt, while the July 11 show will celebrate the 25th anniversary of The Blueprint, a critically acclaimed album that solidified his reputation as a genre-defining artist. The new July 12 concert, though not tied to a specific album, aims to build on the momentum of the previous two events, as noted in an official statement. Jay-Z, who has already set a record for the most sold-out performances at Yankee Stadium, is set to extend his legacy with a potential seventh sell-out. His decision to add the third concert underscores the overwhelming demand for his live shows, which have consistently drawn massive crowds. The JAŸ-Z EXTRA INNINGS event will likely feature a mix of classic hits and new material, reflecting his enduring influence in the music industry. Beyond his stadium performances, Jay-Z will reunite with The Roots at the annual Roots Picnic Festival in Philadelphia on May 30 and 31. The collaboration marks his first appearance with the band in over a decade, reigniting a long-standing creative partnership.#live_nation #philadelphia #jay_z #yankee_stadium #roots_picnic_festival
Pop Icon Kesha Announces 'The Freedom Tour' in Central Indiana Kesha, the renowned pop artist, is set to bring her highly anticipated "The Freedom Tour" to central Indiana, with a stop at the Ruoff Music Center in Noblesville on Sunday, August 30. The concert, scheduled to begin at 7 p.m., marks a significant milestone in her career as she embarks on a tour described as more than a performance—it is a celebration of personal transformation, healing, and creative rebirth. In a statement from Live Nation, the tour’s organizers emphasized that "The Freedom Tour" represents a new era for Kesha, one centered on radical self-expression, spiritual resilience, and rebellious joy. The event promises an immersive experience blending glitter and grit, pop anthems with spiritual awakening, and a celebration of survival. Kesha will be joined by several special guests, including Chromeo, Meek, Erika Jayne, and Sizzy Rocket. However, for the Noblesville date, only Chromeo and Erika Jayne will perform alongside her. Fans eager to secure tickets will have access to presales starting on Tuesday, March 24, with Citi presales beginning at 10 a.m. Artist presales will follow on Wednesday, March 25, and general on-sale tickets will be available starting Friday, March 27, at 10 a.m. In a heartfelt message shared in a news release, Kesha reflected on her journey, stating, "I’ve lived through the fire. This tour is about what comes after. Freedom isn’t just leaving something behind—it’s discovering that what you have lived through has made you magnificently who you are." She added, "This summer we are reclaiming our bodies, our voices, and our joy. We have survived. Now we get to be free. Let’s be free together. I want to know what freedom feels like, with all of you.#live_nation #kesha #chromeo #ruoff_music_center #noblesville
J. Cole's 'The Fall-Off' World Tour Breaks Records with Record Ticket Sales J. Cole is set to launch his world tour in support of his seventh studio album, The Fall-Off, beginning in July. The tour will kick off with North American leg stops in major cities including Charlotte, Miami, Tampa, Atlanta, and other locations. Following the U.S. dates, Cole will travel to Europe, the United Kingdom, Australia, and New Zealand before concluding the tour in South Africa in December. Despite the tour not yet beginning, Cole’s event has already set multiple records. Live Nation reported that over 800,000 tickets were sold during the presale phase, making it the highest pre-sale ticket count for a hip-hop tour across 18 markets. The overwhelming demand prompted the tour to expand from its original 54 dates to 73, with an additional 19 arenas added to accommodate fans. The success of the presale underscores the strong anticipation for Cole’s new album and his live performances. The news of Cole’s record-breaking tour comes shortly after the conclusion of his Trunk Sale tour, which saw him travel across the United States in his restored Honda Civic, selling CDs directly to fans. During the tour, Cole shared insights into his motivations, stating, “In the trunk of my car is boxes of The Fall-Off CDs.” He reflected on his early days in music, recalling how he once sold copies of albums in gas stations, saying, “I used to go up to the gas stations trying to sell the album to strangers ‘yo you like hip hop??’ Was the beginning of the sales pitch.” Cole emphasized his desire to reconnect with his roots while promoting the new album, explaining, “When I was working on this album I had the desire to go feel that feeling again, and that’s what I’m about to do.#north_carolina #live_nation #the_fall_off #jcole #trunk_sale_tour
Live Nation settles antitrust case with DOJ, avoids Ticketmaster breakup Live Nation, the parent company of Ticketmaster, has reached a settlement with the U.S. Department of Justice, avoiding a potential breakup of the company. The agreement, announced on Monday, concludes a high-profile antitrust case that had threatened to split the world’s largest live entertainment firm. The deal comes after a week of testimony during the trial, which had raised concerns about Live Nation’s dominance in the industry. The settlement includes several key provisions. Ticketmaster will provide a standalone ticketing system that allows third-party companies like Seat Geek and StubHub to offer primary tickets through the platform. A senior justice official described this as “open sourcing” their ticketing model. The company will also divest up to 13 amphitheaters and reserve 50% of tickets for non-exclusive venues. Additionally, Ticketmaster is prohibited from retaliating against venues that choose alternative primary ticket distributors. The agreement was reached after negotiations between Omeed Assefi, the acting assistant attorney general for the Antitrust Division, and Michael Rapino, Live Nation’s CEO, on March 5. A senior justice official emphasized that the deal aims to increase competition by giving artists and consumers more choices, potentially lowering prices. While the DOJ and 40 states, including Washington, D.C., had previously accused Live Nation of using its control over venues and ticketing relationships to stifle competition, the settlement allows the company to retain its structure. New York Attorney General Letitia James, who joined the DOJ in the case, stated that her office will continue pursuing its own claims against Live Nation to protect consumers and restore fair competition.#ticketmaster #taylor_swift #live_nation #us_department_of_justice #letitia_james
Peso Pluma launched his 2026 Dinastía by Peso Pluma & Friends Tour with a high-energy performance at the Climate Pledge Arena in Seattle on March 1, featuring collaborations with Tito Double P, Yahritza y Su Esencia, Armenta, and Rey Quinto. The event showcased over 35 tracks, blending Peso’s signature hits like “Lady Gaga,” “AMG,” and “Ella Baila Sola” with new material from the supporting artists. The tour, produced by Live Nation, is promoting the collaborative album Dínastia, released during the holiday season, which marks the duo’s first joint project. Peso Pluma and Tito Double P described their partnership as a dynamic interplay of contrasting energies, likening their relationship to opposing forces like black and white or angels and demons. They referenced the biblical tale of Jacob and Esau, emphasizing their shared Mexican heritage and dedication to the corrido genre. “This album is about family, Mexico, and what we’re doing for corridos,” Peso explained in a previous interview with Billboard, highlighting the album’s thematic depth. Dínastia made an immediate impact, debuting at No. 1 on Billboard’s Top Latin Albums and Regional Mexican Albums charts in January. It also reached No. 6 on the all-genre Billboard 200, reflecting its broad appeal. The tour will span 30 venues across the U.S., including stops in San Francisco, Las Vegas, Los Angeles, and Chicago’s United Center, with the final date scheduled for May 7. The opening night setlist featured a mix of Peso and Tito’s tracks, alongside performances by Yahritza y Su Esencia and other collaborators. Highlights included Peso’s hit “Lady Gaga,” Tito’s “Malibu,” and collaborative numbers like “Tusi” and “London.#live_nation #tito_double_p #climate_pledge_arena #peso_pluma #dinastia_album
Peso Pluma Launches 2026 Dinastía Tour with Star-Studded Opening Night in Seattle Peso Pluma kicked off his 2026 Dinastía by Peso Pluma & Friends Tour on Sunday night (March 1) at the Climate Pledge Arena in Seattle, marking the debut of his collaborative project with Tito Double P. The event featured a lineup of renowned artists including Tito Double P, Yahritza y Su Esencia, Armenta, and Rey Quinto, who joined Peso on stage for an electrifying performance. The show delivered over 35 tracks, blending Peso’s biggest hits such as “Lady Gaga,” “AMG,” and “Ella Baila Sola” with energetic live renditions from the supporting acts. Produced by Live Nation, the tour supports the chart-topping collaborative album Dínastia, released last Christmas. Peso described the album’s concept as a reflection of his and Tito Double P’s dynamic, calling them “opposites” like “black and white” or “angels and demons.” He referenced the biblical story of Jacob and Esau, emphasizing their rivalry and unity as brothers. “This album is about family, Mexico, and what we’re doing for corridos,” he explained, highlighting the cultural significance of their work. Dínastia made an immediate impact, debuting at No. 1 on Billboard’s Top Latin Albums and Regional Mexican Albums charts in January. It also secured a No. 6 position on the all-genre Billboard 200, showcasing its broad appeal. The tour will continue through 30 venues across the U.S., including stops in San Francisco, Las Vegas, Los Angeles, and Chicago’s United Center, where it will conclude on May 7. The opening night’s setlist featured a mix of Peso and Tito Double P’s tracks, including “7-3,” “billetes,” “malibu,” and “trucha,” alongside collaborations with Yahritza y Su Esencia and Armenta.#live_nation #tito_double_p #climate_pledge_arena #peso_pluma #dinastia_album
Live Nation says it is not 'big, fat, lazy' monopolist as US DOJ trial kicks off Live Nation, the world's largest live entertainment company, is defending itself against allegations of antitrust violations as a federal trial begins. The company, which operates venues and manages major music festivals, faces accusations from the U.S. Department of Justice that it has engaged in anti-competitive practices by leveraging its dominance in the industry. The trial, which is expected to last several weeks, will focus on whether Live Nation has used its market power to suppress competition, inflate ticket prices, and limit consumer choice. The DOJ alleges that the company has created a monopoly by acquiring smaller rival companies and using its influence to control the live events market. Live Nation has denied these claims, arguing that its business model is not monopolistic and that it provides value to consumers through its extensive network of venues and artists. The case has drawn significant attention from industry stakeholders, as it could set a precedent for how antitrust laws are applied in the entertainment sector. Legal experts suggest that the outcome of the trial could have far-reaching implications for the live events industry, potentially reshaping how companies operate and compete. Live Nation's defense team has emphasized that the company's success is due to its ability to deliver high-quality experiences to audiences, rather than any anti-competitive behavior. They argue that the DOJ's case is based on outdated assumptions about the industry and that the company's practices are in line with fair market competition. The trial is expected to feature testimony from industry insiders, economists, and former employees, providing insight into the company's business strategies and market influence.#federal_trial #live_nation #us_do_j #antitrust_violations #live_events_industry
Justice Department Begins Antitrust Trial Against Live Nation Amid Settlement Speculation The U.S. Justice Department initiated its antitrust trial against Live Nation on Tuesday, with the possibility of a settlement lingering over the proceedings. The lawsuit, filed in 2024 by the DOJ and 40 state attorneys general, accuses Live Nation of leveraging its dominance as the nation’s largest concert promoter, ticket seller, and venue owner to stifle competition. The company has previously attempted to dismiss the case, which was brought under the Biden administration, but recent developments suggest it may seek a resolution under the current Trump administration. The trial resumed Monday after a 12-person jury was selected, with opening arguments held in a Manhattan federal courthouse. Despite the ongoing legal battle, questions remain about whether a last-minute settlement could disrupt the proceedings. DOJ attorney David Dahlquist emphasized the case’s focus on monopolistic power, stating that the concert industry is “broken” due to Live Nation’s control. The DOJ alleges the company holds an estimated 86% share of primary concert ticketing at major venues and dominates the amphitheater market, using this leverage to force venues into exclusive contracts with Live Nation as promoters and Ticketmaster as ticket agents. Live Nation’s defense, led by attorney David Marriott, argues that the DOJ’s market share calculations are selective and that the ticketing industry is more competitive than claimed. Marriott highlighted that Live Nation does not serve as the promoter for all major artists, citing Taylor Swift’s Eras Tour as an example. The Swift ticketing issues, including system outages and long wait times during the record-breaking onsale, remain a focal point of the case.#justice_department #taylor_swift #live_nation #david_dahlquist #david_marriott
The concert ticket industry is broken, the U.S. Department of Justice claims as a trial against Ticketmaster and Live Nation begins. During opening statements in Manhattan, a DOJ attorney argued that the companies have created a monopolistic system that harms artists, venues, and fans. The case involves dozens of states seeking compensation for consumers who allegedly overpaid for tickets. An attorney for New York state testified that Ticketmaster retains an average of $7.58 from each ticket sold at major concert venues. This fee, which exceeds the charges of competitors like AXS, is central to the allegations that the company exploits its market dominance. The DOJ and state attorneys general argue that Live Nation and Ticketmaster have used their control over ticketing and venue operations to suppress competition and inflate prices. The trial centers on claims that Live Nation, through its Ticketmaster subsidiary, has maintained illegal monopolies in key markets. The DOJ alleges that the company forces artists to use its promotion services when performing at its owned outdoor amphitheaters. Additionally, Ticketmaster is accused of dominating ticket sales through long-term exclusive contracts with venues and threatening rivals to secure its position. Attorney David Dahlquist, representing the DOJ, told jurors that the concert industry is "controlled by a monopolist" and that Live Nation’s practices have distorted the market. He emphasized that fans have paid excessive fees, with estimates suggesting overpayments ranging from $1.56 to $1.72 per ticket. Jonathan Hatch, another state attorney, described the financial impact as "real money coming out of people’s wallets." Live Nation’s defense claims the company is not a monopolist and operates in a competitive industry.#ticketmaster #manhattan #federal_trade_commission #live_nation #us_department_of_justice
