Euphoria 3 puts OnlyFans debate in focus: Cast members say 'not for us to judge' Euphoria returns with its third season, delving into the complexities of digital-age sex work and OnlyFans culture. At a global roundtable, actors Martha Kelly and Chloe Cherry discussed the platform’s role in shaping modern sexual labor, emphasizing the need for nuanced perspectives rather than simplistic judgments. The conversation, held in Mumbai, highlighted the show’s commitment to exploring the intersection of technology, identity, and economic survival in the context of online intimacy economies. The third season of Euphoria, which premiered in 2026, continues its exploration of themes such as power dynamics, self-expression, and the commodification of personal relationships. This season’s narrative centers on characters navigating the challenges of digital visibility, with a particular focus on the rise of OnlyFans as a space where individuals monetize their sexual agency. Martha Kelly, known for her portrayal of a character grappling with the pressures of fame and authenticity, and Chloe Cherry, who plays a role tied to the complexities of online intimacy, shared their insights on how the platform reflects broader societal shifts. During the roundtable, both actors stressed that the debate around OnlyFans should not be reduced to moralistic binaries. “It’s not for us to judge whether someone chooses to engage with the platform,” Kelly said, adding that the show aims to humanize the experiences of those involved. Cherry echoed this sentiment, noting that the series avoids vilifying or romanticizing the platform, instead presenting it as a space where individuals negotiate autonomy and vulnerability. The discussion also touched on the broader implications of digital labor, particularly for women.#india_today #onlyfans #euphoria_3 #martha_kelly #chloe_cherry
‘Euphoria’ Returns: Trashier, Sexier—and Better—Than Ever After four years, Euphoria is back, as tawdry and titillating as ever. And yet, somehow, better. With its first two seasons, Sam Levinson perfected a particular brand of high-gloss trash, cramming every possible scary, sleazy, screamy, sexed-up teen issue into a multipronged story that was dialed to 100 and pitched as the most pretentious show in television history. The creator/writer/director never met a young girl he didn’t want to droolingly ogle and/or put through hell, and with his HBO hit, he lustily indulged in goofy, inane, exploitative maximalism. Yet for all the grating posturing, its self-conscious over-the-topness occasionally resulted in bracing drama. The show was totally phony, lurid, gross, and look-at-me ridiculous, except on those intermittent occasions when it was startling, invigorating, and real. That push-pull between the affected and the authentic remains intact in Euphoria’s long-awaited third season (April 12), whose protagonists, now out of high school, find themselves navigating a modern world where sex is the most valuable commodity, and selling it is the quickest, easiest, and best means of achieving their dreams. Levinson’s series, you won’t be surprised to hear, is happy to sell it too, in great, sensationalistic doses. More than before, though, his plotting is rigorously streamlined and his characters piercingly defined, making this eagerly anticipated return (at least on the basis of the three episodes provided in advance to press) its finest to date. Euphoria gets off to an adrenalized start in the Chihuahua desert, with Rue (Zendaya) operating as a drug mule for Laurie (Martha Kelly), who didn’t let her previous faux pas with a suitcase full of drugs slide.#sam_levinson #euphoria #zendaya #martha_kelly #adewale_akinnuoyeagbaje
