#zendaya

Going bananas for bandanas: the latest fashion trend that goes back centuries The bandana, once a utilitarian accessory tied to cultural and historical contexts, has surged into mainstream fashion as a versatile and stylish statement. From the runways of Copenhagen Fashion Week to the beaches of Wimbledon, the square fabric has become a ubiquitous symbol of both nostalgia and modernity. Celebrities like Dua Lipa, Zendaya, and Priyanka Chopra Jonas have been spotted wearing the accessory in diverse settings, from music festivals to bookstores, while influencers and fashion editors alike have embraced its adaptability. Social media platforms are flooded with tutorials on how to style bandanas, whether as a practical solution for managing curly hair or as a decorative element for silk hairstyles. The resurgence of bandanas is not merely a fashion trend but a cultural phenomenon rooted in centuries of history. Originating in India, where the Sanskrit term bandh means "to tie," the bandana was initially crafted using a millennia-old tie-dyeing technique called bandhani. This method created vibrant patterns on silk and cotton kerchiefs, which were later exported to Europe by the Dutch and English East India Companies. In England, the bandana gained popularity as a discreet way for snuff-takers to conceal tobacco stains on their hankies. The Paisley pattern, named after the Scottish town but originating in Kashmir, became a classic design associated with the accessory. Beyond its historical roots, the bandana has evolved into a symbol of identity and resistance. In the 20th century, it was linked to cowboys, outlaws, and labor movements, while in the 1990s, it became a staple of Carolyn Bessette-Kennedy’s minimalist aesthetic.#priyanka_chopra_jonas #zendaya #wimbledon #dua_lipa #duala_fashion_week

Spider-Man: Brand New Day Opening Beats Endgame for Box Office Record Spider-Man: Brand New Day has shattered the record for the highest-grossing domestic opening weekend in box office history, surpassing the previous benchmark set by Avengers: Endgame in 2019. The film, starring Tom Holland and Zendaya, earned an adjusted $360 million from 4,487 North American screens in its opening weekend, edging past Endgame’s $357.1 million. Its global debut totaled $932 million, leaving Endgame’s $1.2 billion worldwide opening as the sole record holder. The film’s success was fueled by strong audience turnout, with a 98 percent audience score on Rotten Tomatoes and an A CinemaScore, reflecting widespread acclaim. Sony Pictures chief Tom Rothman emphasized the importance of audience reception over record-breaking achievements, stating, “What’s far more significant is the response. The audience loved the movie.” The film’s demographic skewed young and male, with 36 percent of viewers aged 18–24 and 61 percent identifying as male. Its performance also marked a milestone for Sony, becoming its best-ever launch. Initially, the studio had projected a more modest $195 million domestic and $465 million global debut, which would have still placed it among the top 10 all-time openings. Directed by Destin Daniel Cretton, the film centers on Peter Parker as he navigates a lonely life without his loved ones before an invisible enemy targets him. The movie features a star-studded cast including Sadie Sink, Jacob Batalon, Jon Bernthal, and Mark Ruffalo. Its production budget of $225 million was a significant investment, but the box office success has positioned it as a major hit.#zendaya #tom_holland #sony_pictures #spiderman_brand_new_day #tom_rothman

Zendaya's Real Estate Portfolio: From Southern California to London Zendaya, the star of Spider-Man: Brand New Day, has built a notable real estate portfolio spanning multiple locations, including Southern California, New York, and London. Her investments reflect her growing net worth, which has reached an estimated $30 million, driven by her acting career, brand deals, and collaborations. Over the years, the actress has strategically expanded her property holdings, starting with her first home at a young age and progressing to high-profile residences in major cities. Her first real estate purchase was a Mediterranean-style home in Southern California, which she acquired in 2016 at the age of 20. The property, priced at $1.4 million, is a five-bedroom, five-bathroom residence spanning 4,155 square feet. Located in a desirable area, the home features curved stairs, a grand entryway, a high-end kitchen, and a pool and spa in the backyard. Zendaya shared glimpses of this home on her social media accounts, marking it as a significant milestone in her early career. In 2019, she purchased a larger property in the San Fernando Valley, a ranch-style home with six bedrooms and seven bathrooms. The 5,000-square-foot residence sits on 3.72 acres of land and includes private hiking trails, a guest house, and a large pool. This home, valued at $3.97 million, is considered an investment property and was briefly listed for rent at $12,900 per month. Unlike her first home, this property has a minimalist design with high-end appliances and extravagant decor, reflecting her evolving tastes. In 2020, Zendaya acquired a three-bedroom, two-and-a-half-bathroom condo in Brooklyn’s Quay Tower for $4.9 million.#zendaya #tom_holland #spiderman_brand_new_day #san_fernando_valley #quay_tower

Elliot Page's Sinon: The Unseen Soul of Christopher Nolan's The Odyssey Christopher Nolan’s The Odyssey has captivated audiences with its ensemble of A-list talent, including Charlize Theron, Zendaya, John Leguizamo, and Lupita Nyong’o. Yet, amid the star-studded cast, one performance stands out as the emotional core of the film: Elliot Page’s portrayal of Sinon, a minor yet profoundly symbolic character. Page, known for her role as Ariadne in Inception, returns to the director’s universe 16 years later, this time as Sinon, a Trojan soldier whose fate becomes inextricably linked to Odysseus’ journey. Initially speculated to play Achilles, Page’s character is instead Sinon, a figure from Virgil’s The Aeneid rather than Homer’s original Odyssey. Sinon’s role is minimal in the film’s 173-minute runtime, appearing only briefly during the Trojan War. His introduction occurs when he is left alone on a beach to deliver a message to the Trojans, warning them of the Greeks’ deceptive gift—a massive wooden horse. The Trojans, suspicious of the offer, ultimately kill Sinon with arrows, a tragic end that underscores the film’s themes of betrayal and consequence. Despite his limited screen time, Sinon’s presence looms large thematically. His character becomes a vessel for Odysseus’ guilt, reappearing in the underworld to confront the hero. In a haunting sequence, Sinon’s spirit confronts Odysseus, revealing the truth behind his deception. Unlike in The Aeneid, where Sinon is aware of the Greeks’ treachery, this version of Sinon is a victim of Odysseus’ lies. He genuinely believed the wooden horse was a divine gift from Athena, unaware that his fellow soldiers were hidden inside. His death, a result of this deception, becomes a symbol of the moral complexities of war and leadership.#the_odyssey #zendaya #christopher_nolan #charlize_theron #elliot_page

Dune: Part 3 Trailer Released; Character Posters and Cast Details Revealed The trailer for Dune: Part 3, the final installment of Denis Villeneuve’s adaptation of Frank Herbert’s iconic sci-fi saga, was officially released on July 8, 2026, ahead of its theatrical debut on December 18, 2026. The film, based on Dune Messiah, marks the conclusion of the trilogy and features the return of key actors including Timothée Chalamet as Paul Atreides, Zendaya as Chani, and Florence Pugh as Princess Irulan. New additions to the cast include Robert Pattinson, who portrays the villainous Scytale, and Anya Taylor-Joy, who joins as Paul’s younger sister, Alia Atreides. Jason Momoa reprises his role as Duncan Idaho, while Javier Bardem returns as Stilgar. Rebecca Ferguson, who played Lady Jessica in the previous films, also appears in the third installment. The trailer highlights intense moments from the story, including Chani’s confrontation with Paul over his potential to seize power, her emotional plea about naming their children, and the violent battles that define the film’s narrative. A pivotal scene shows Chani summoning a sandworm, while Paul, now with a buzz cut, addresses a massive crowd with a voice-over line: “I’m not afraid to die, but I must not die yet.” The trailer also features a dramatic moment where Chani, holding her twins, faces an invisible adversary, underscoring the film’s themes of power, sacrifice, and destiny. Denis Villeneuve, who directed and co-wrote all three films, confirmed that Dune: Part 3 will be his final entry in the trilogy, stating, “It’s not like a trilogy.” The film’s production wrapped last summer, with scenes shot using Imax cameras to enhance the epic scale of the desert landscapes and battles.#timothe_chalamet #zendaya #denis_villeneuve #dune_part_3 #f_florence_pugh

Dune 3 Trailer: Timothee Chalamet, Zendaya Go to War in Final Movie Denis Villeneuve and Timothée Chalamet unveiled an action-packed new trailer for Dune: Part Three, marking the latest and most comprehensive look at the highly anticipated final chapter in his sci-fi trilogy. The Oscar-nominated filmmaker and his star revealed new footage from Warner Bros and Legendary Pictures’ epic before an audience of Dune fans and press in Los Angeles. The global Imax fan event was simulcast in Chicago, Dallas, Toronto, Montreal, London, Berlin, Mexico City, and Abu Dhabi. The trailer and an extended clip from the film will be shown ahead of Imax 70mm screenings of The Odyssey. Dune: Part Three sees Chalamet return as Paul Atreides, continuing the story after his ascent to power at the end of Part Two. Inspired by Frank Herbert’s novel Dune Messiah, the action takes place 17 years after the events of the previous film and explores the consequences of Paul’s rule as emperor. The trailer emphasizes the darkening tone of the narrative, as Paul’s visions of the future grow clouded, and his grip on power becomes increasingly unstable. “The future has a way of talking to me,” Paul confesses. “I can’t see what’s ahead.” Paul now faces a new adversary in Robert Pattinson’s Scytale, a shapeshifter determined to dethrone the emperor. Scytale declares, “We plan to strike the core of imperial power,” signaling his intent to orchestrate “regime change.” The trailer also highlights Zendaya as Fremen warrior Chani, whose romance with Paul has grown complicated by his marriage to Princess Irulan (Florence Pugh). Chani now seeks a child, adding personal stakes to the political conflict. The film resurrects Duncan Idaho, the fearsome warrior who died defending Paul and his mother (Rebecca Ferguson), as a ghola.#warner_bros #timothe_chalamet #zendaya #denis_villeneuve #dune_part_three

Tom Holland Confirms Marriage to Zendaya Tom Holland, the British actor known for his role as Spider-Man, has confirmed that he and his co-star Zendaya are married. The actor shared the news during an interview with Esquire magazine, describing their relationship as a “bedrock” that will “stand the test of time.” He also revealed that his family was present for the wedding, which had been the subject of widespread speculation. The couple, who have been in a long-term relationship, had previously announced their engagement in December 2024. Their marriage has sparked intense public interest, with rumors and media speculation intensifying after a red carpet comment by Zendaya’s stylist, Law Roach, in March 2026. Roach reportedly told Access Hollywood, “The wedding has already happened. You missed it,” a statement that fueled further curiosity. Zendaya addressed the topic indirectly on the Jimmy Kimmel show, offering a non-denial response. During the interview, Holland was asked whether he had to notify other family members about the wedding. He paused before answering, stating, “No, because they were all there.” He then redirected the conversation, emphasizing the strength of his relationship with Zendaya. “Our business can present very stressful situations, and it’s really nice to have a bedrock of a relationship that will stand the test of time,” he said. Holland elaborated on the unique bond between him and Zendaya, noting that their shared experiences in the entertainment industry create a deep understanding of each other’s challenges. “We can support each other in ways that only we can, because only we understand really what it’s like to live this life,” he explained. “I think that is such a luxury, because I just don’t understand how I would be able to have anything like that with anyone else.#zendaya #tom_holland #law_roach #amy_pascal #esquire_magazine

Euphoria's Sam Levinson & Marcell Rév Talk Season 3's New Look The creators of Euphoria, Sam Levinson and cinematographer Marcell Rév, have unveiled the visual and narrative evolution of Season 3, which diverges from the emotionally intense close-ups of previous seasons. The new season, inspired by Westerns like Rio Bravo and The Wild Bunch, as well as Jurassic Park, introduces a broader cinematic style aimed at immersing viewers in the characters’ experiences. The season’s opening episode, titled “Ándale,” features Rue (Zendaya) five years after high school, now relatively sober but entangled in dangerous situations, including a perilous attempt to cross the Mexico-U.S. border wall while selling fentanyl. Levinson and Rév emphasized a shift in storytelling, moving away from the subjective, close-up shots of earlier seasons to a wider aspect ratio that frames the characters within a larger world. “We wanted to be inside the characters’ heads,” Levinson explained, highlighting the deliberate choice to step back and present the story with a more expansive visual language. The border wall scene, which opens the season, was shot using a telescoping crane and real blue skies, with Rév drawing inspiration from Jurassic Park’s tension of being trapped. The production built a five-foot replica of the border wall near Los Angeles to achieve the desired authenticity. Another standout visual challenge was the candlelit dinner between Nate (Jacob Elordi) and Cassie (Sydney Sweeney). The scene, which reveals Cassie’s cunning and Nate’s financial strain, was shot with 200 real candles to create an intimate, tense atmosphere. Rév insisted on avoiding artificial lighting, carefully positioning the candles to illuminate the actors’ faces while maintaining the scene’s authenticity.#sam_levinson #euphoria #zendaya #angus_cloud #marcell_rev

"Euphoria" Season 3 Episode 2 Release Date and Schedule April 18, 2026, 3:00 p.m. ET A new episode of "Euphoria" Season 3 will drop on Sunday, April 19, at 9 p.m. ET/PT on HBO and will be available to stream on HBO Max, with new episodes dropping weekly through May 31. The season, which returned after a long hiatus, features characters now in their early twenties, five years after the events of Season 2. Rue, portrayed by Zendaya, works as an indentured servant for drug dealer Laurie (Martha Kelly), while Cassie (Sydney Sweeney) and Nate (Jacob Elordi) navigate married life. The series, created by Sam Levinson, explores themes of faith, redemption, and the problem of evil. USA TODAY TV Critic Kelly Lawler gave the season ★★ out of four, noting that the show has returned to a "completely different zeitgeist" four years after its last season. She observed that the series has "lost its fire," with "the party drugs all used up" and "the lights have turned on at the club." Lawler attributed this shift to the changing world and the cast's elevated status as A-list stars, writing that the show "has changed" since its debut. The season’s episode schedule includes eight episodes, with the first episode airing on April 19. Subsequent episodes will follow on April 26, and the final episode is scheduled for May 31. The cast includes Hunter Schafer as Jules Vaughn, Eric Dane as Cal Jacobs, Jacob Elordi as Nate Jacobs, Sydney Sweeney as Cassie Howard, Alexa Demie as Maddy, Maude Apatow as Lexi Howard, Martha Kelly as Laurie, Colman Domingo as Ali Muhammed, Chloe Cherry as Faye, and Adewale Akinnuoye-Agbaje as Alamo Brown. HBO has not announced plans for a Season 4. Creator Sam Levinson hinted that Season 3 may be the final season, stating he writes each season "like it's the last season" and has "no plans" for a fourth season.#sam_levinson #euphoria #hbo #zendaya #hbo_max

Euphoria Season 3: Controversy Over Sydney Sweeney’s Scene and Cassie’s Arc The third season of Euphoria has ignited fierce debate among fans and critics, with a controversial scene featuring Sydney Sweeney’s character, Cassie Howard, at the center of the backlash. The episode, which depicts Cassie in a childlike costume performing sexually suggestive acts for online followers, has been widely criticized as exploitative and disturbing. Viewers and critics argue that the scene crosses ethical boundaries, prioritizing shock value over meaningful storytelling. The controversy has overshadowed the show’s usual focus on raw, unfiltered portrayals of teenage struggles, sparking discussions about the show’s evolving narrative and its responsibility to its audience. The scene in question, as reported by The Sun, shows Cassie, played by Sweeney, dressed in a super-childish outfit with pigtails, a pacifier, and other infantile accessories, engaging in explicit content for adult platforms like OnlyFans. The context is that Cassie is using this activity to fund her lavish wedding and lifestyle while maintaining her online presence. Critics argue that the show sexualizes childlike imagery, blurring the line between artistic expression and exploitation. Social media reactions have been overwhelmingly negative, with users calling the scene “disturbing,” “exploitative,” and “sick.” Some fans expressed disappointment, stating that the episode prioritizes shock over substance, while others condemned the normalization of such content. The backlash has been intense, with comments like “This alone just made me not wanna watch it anymore” and “We shouldn’t be okay with this… the entire production should be held responsible for this abhorrent mess” reflecting the widespread outrage.#zendaya #hbo_max #sydney_sweeney #euphoria_season_3 #cassie

Euphoria Is a Monument to Sam Levinson’s Lack of Creativity The third season of Euphoria has become a testament to Sam Levinson’s stagnation as a writer, reducing the series from a nuanced exploration of addiction, identity, and adolescence to a self-indulgent spectacle of style and provocation. While Levinson initially drew from his own struggles with addiction to craft a raw, character-driven narrative, the show has since devolved into a constant, tedious act of thumbing its nose at skeptical audiences. What began as a portrayal of Rue’s sobering journey, Jules’s experience as a trans teenager, and Nate’s fraught relationship with his father has transformed into a series of increasingly absurd meta-commentaries, flashy camerawork, and over-the-top violence. The season-two finale, in which Lexi stages a play about her sister Cassie’s affair with Nate and betrayal of her friend Maddy, epitomizes this shift. The episode becomes a meta bonanza, with Euphoria winking at its own reputation and amplifying its absurdities. Yet, this self-referentiality reveals how the show is now defined almost entirely by artifice, with Levinson’s writing plateauing to the point where he can only reference the series’ past rather than imagine its future. The first three episodes of the season, released to critics, underscore this stagnation. Four years have passed since season two, and five years in show time, yet Euphoria and its characters remain trapped in high-school thinking, caught in the same holding pattern and narrow worldview as before. The romantic entanglements, petty grievances, and juvenile views on love and success are unchanged, suggesting a deliberate critique of Gen Z’s self-centeredness and performative culture.#sam_levinson #euphoria #ryan_gosling #zendaya #angus_cloud

Euphoria Season 3 Review: Entertaining but Disjointed Fan Fiction The third season of Euphoria opens with Rue (Zendaya) reflecting on the idea of reinvention, a theme that becomes central to the season’s narrative. A new acquaintance tells her, “That’s the beauty of this country we call America,” framing the show’s exploration of identity and transformation. This line, however, feels more like a setup than a nuanced commentary, setting the tone for a season that balances grandeur with a lack of cohesive direction. Four years after its debut, Euphoria has evolved significantly. The show, created by Sam Levinson, has navigated the loss of key cast members, including Angus Cloud and Eric Dane, as well as the departure of Barbie Ferreira. Behind the scenes, producer Kevin Turen’s death in 2023 and Hollywood strikes further complicated production. These challenges, combined with creative tensions between Levinson and HBO, delayed the season’s release. Potential storylines, such as Rue becoming a pregnancy surrogate or a private detective, were abandoned due to tonal misalignment with the show’s identity. The first three episodes of Season 3, out of a planned eight, retain the show’s signature style—bombastic, stylish, and humorously cutting—but lack the grounding elements that defined its earlier seasons. The series, which reimagined high school drama with an R-rated intensity, previously balanced absurdity with emotional stakes. For example, the Season 2 finale juxtaposed a school play with a deadly drug raid, creating a stark contrast that amplified the show’s themes. In Season 3, however, the crime elements are presented without such strategic contrast, leaving the narrative feeling disconnected.#sam_levinson #hbo #zendaya #euphoria_season_3 #alamo_brown

Euphoria Returns with Mixed Critical Reception and Controversial Content The long-awaited return of the hit HBO series Euphoria has sparked a wave of mixed reactions from critics, with some praising its bold exploration of modern youth culture and others condemning it as a tired, exploitative spectacle. The third season, which premiered four years after the previous installment, features the return of stars Zendaya, Sydney Sweeney, and Jacob Elordi, but its reception has been sharply divided. While some reviewers called it a "dazzling" and "unflattering portrait of modern America," others dismissed it as "grubby, humourless torture porn" obsessed with sex work and voyeurism. The show’s controversial trailer, which included a sexually charged image of Sweeney’s character dressed as a baby, further fueled debate about its artistic intent and ethical boundaries. Critics like The Guardian’s Hannah J Davies and The Telegraph’s Eleanor Halls were among the most vocal in their criticism, accusing creator Sam Levinson of reducing his female characters to "performance or exploitation" and framing the series as a "misogynistic fantasy" of a "creepy old man." Davies called the show "a work of torture porn" that fixates on sex work, arguing that Cassie’s portrayal as an OnlyFans content creator felt "bafflingly dated" and that the series’ focus on "sugar babies and kink" came across as both voyeuristic and judgmental. Halls echoed these sentiments, stating that Levinson had "trapped all of his female leads in the performance, or exploitation, of sex work," with the camera "peering and leering" at them in every shot.#sam_levinson #hbo #zendaya #sydney_sweeney #jacob_elordi

Hunter Schafer’s Dating History: From Euphoria to Advocacy and Relationships Hunter Schafer rose to prominence for her role as Jules Vaughn on the HBO series Euphoria, a part that has become central to her Hollywood career. After four years on the show, the series returned for its long-awaited third season, bringing Schafer back alongside original cast members like Zendaya, Jacob Elordi, Sydney Sweeney, Alexa Demie, and Maude Apatow. Beyond her acting work, Schafer has also made a mark in fashion, transitioning from modeling to becoming a Prada ambassador following her breakthrough in Euphoria. Her advocacy for transgender rights and equality has further defined her public persona, as she openly shares her experiences navigating relationships and societal challenges. Schafer’s journey into relationships began with her first romantic partnership, which she described as pivotal in shaping her understanding of love. During a 2024 interview on Call Her Daddy, she reflected on her initial relationship with a trans woman, calling it a transformative experience. “She kind of showed me the ropes because dating as a trans person—it’s complicated,” she said. “To know in my first relationship and in my first really being in this mutual love thing, first time having sex, that I got to do it with somebody who completely understands my gender—I’m so thankful for it.” While she did not disclose the identity of her first partner, she emphasized the importance of mutual understanding in relationships, particularly for transgender individuals. Her dating history has since included notable connections, though many details remain private. In an April 2023 interview with GQ, Schafer revealed that she had dated singer Rosalía for five months in 2019.#zendaya #sydney_sweeney #hunter_schafer #jacob_elordi #prada

‘Euphoria’ Returns: Trashier, Sexier—and Better—Than Ever After four years, Euphoria is back, as tawdry and titillating as ever. And yet, somehow, better. With its first two seasons, Sam Levinson perfected a particular brand of high-gloss trash, cramming every possible scary, sleazy, screamy, sexed-up teen issue into a multipronged story that was dialed to 100 and pitched as the most pretentious show in television history. The creator/writer/director never met a young girl he didn’t want to droolingly ogle and/or put through hell, and with his HBO hit, he lustily indulged in goofy, inane, exploitative maximalism. Yet for all the grating posturing, its self-conscious over-the-topness occasionally resulted in bracing drama. The show was totally phony, lurid, gross, and look-at-me ridiculous, except on those intermittent occasions when it was startling, invigorating, and real. That push-pull between the affected and the authentic remains intact in Euphoria’s long-awaited third season (April 12), whose protagonists, now out of high school, find themselves navigating a modern world where sex is the most valuable commodity, and selling it is the quickest, easiest, and best means of achieving their dreams. Levinson’s series, you won’t be surprised to hear, is happy to sell it too, in great, sensationalistic doses. More than before, though, his plotting is rigorously streamlined and his characters piercingly defined, making this eagerly anticipated return (at least on the basis of the three episodes provided in advance to press) its finest to date. Euphoria gets off to an adrenalized start in the Chihuahua desert, with Rue (Zendaya) operating as a drug mule for Laurie (Martha Kelly), who didn’t let her previous faux pas with a suitcase full of drugs slide.#sam_levinson #euphoria #zendaya #martha_kelly #adewale_akinnuoyeagbaje

Euphoria Season 3 Review: 'The Show Has Lost Its Zeitgeisty Edge' Four years after its debut, the provocative HBO drama returns with its core cast—Zendaya, Jacob Elordi, and Sydney Sweeney—reuniting for its third and likely final season. However, critics argue the series has lost its cultural relevance and originality, now resembling a "series with very little to say." The season’s radical shift toward a neo-Western narrative, including elements like tumbleweeds, cowboy hats, and a golden gun, has drawn mixed reactions, with many questioning the decision to take Rue’s story in such an unexpected direction. When Euphoria first premiered in 2019, it was celebrated for its unflinching portrayal of sex, drugs, and gender fluidity in high school, capturing the zeitgeist of a generation. Since then, the show’s lead actors have transitioned to major film roles, and while their performances remain strong, the series itself has struggled to maintain its earlier edge. The third season, which spans eight episodes, has been criticized for its repetitive structure, with characters cycling through familiar struggles without meaningful evolution. The show’s creators, including Sam Levinson, have attempted to frame the characters’ journeys as a "Wild West" metaphor for young adulthood, but this approach feels forced and overly literal. Zendaya’s portrayal of Rue continues to be a standout, even as her character navigates increasingly absurd scenarios. Rue, now in Mexico, battles for sobriety while working for a drug-dealing boss named Alamo, a role played by Adewale Akinnuoye-Agbaje. The character’s arc, which includes managing a strip club and distributing drugs, is presented with a mix of dark humor and surrealism.#sam_levinson #zendaya #sydney_sweeney #euphoria_season_3 #jacob_elordi

The Drama Review: Zendaya Gives Career-Best Performance In Watchable Film The Drama, a darkly absurdist film directed by Norwegian filmmaker Kristoffer Borgli, delves into the complexities of love, violence, and social hypocrisy through the story of a conflicted couple on the brink of marriage. Starring Zendaya and Robert Pattinson as Emma Hardwood and Charlie Thompson, the film explores their emotional turmoil as they navigate the days leading up to their wedding. Borgli’s work, which blends Nordic moral inquiry with a sharp critique of human foibles, positions the film as a thought-provoking take on the genre, drawing comparisons to Ari Aster’s Eddington and Halfdan Ullmann Tondel’s Armand without feeling derivative. The narrative centers on Emma, a bookstore clerk from Louisiana, and Charlie, a Londoner working as a curatorial director in an American art museum. Their relationship, marked by deep affection yet profound conflict, is tested by a series of events that unravel their expectations of love and commitment. The film’s plot unfolds through a series of confrontations and revelations, beginning with a meet-cute at a coffee shop and escalating to a chaotic wedding scene where a case of sexual harassment becomes a catalyst for emotional breakdown. Borgli’s approach to violence—contemplated but not enacted—serves as a narrative device to interrogate a culture desensitized to gun violence and its societal implications. The film’s structure is intentionally fragmented, mirroring the dissonance within the characters. Emma’s interactions with Mike’s wife, Rachel (Alana Haim), and Charlie’s conversations with his best friend Mike (Mamoudou Athie) reveal layers of tension and unspoken truths.#zendaya #robert_pattinson #the_drama #kristoffer_borgli #alana_haim

‘The Drama’ movie review: Zendaya and Robert Pattinson glitter and jitter in crackling, edgy romance The film The Drama, directed by Kristoffer Borgli, reimagines the traditional romance genre with a sharp, unflinching lens. The story follows Emma (Zendaya) and Charlie (Robert Pattinson), a couple whose relationship begins with a meet-cute at a New York café and quickly evolves into a complex exploration of love, trauma, and societal pressures. Their journey is marked by moments of tenderness, such as a midnight kiss at a Manhattan museum, but these are soon overshadowed by the revelation of Emma’s past—a dark secret that fractures their bond and forces them to confront the intersection of personal history and political realities. Borgli’s approach to the narrative is audacious, blending elements of dark comedy and psychological drama. The film opens with a seemingly straightforward romantic setup, but the tone shifts dramatically as Emma’s hidden trauma surfaces. The title of the book she reads—The Damage—serves as a metaphor for the film’s central theme: the idea that personal pain often mirrors broader societal wounds. This duality is central to the story, as Emma’s past is revealed to be deeply tied to the polarized history of her country, making their relationship a microcosm of a fractured nation. The film’s structure is fragmented, with Borgli employing rapid jump cuts and non-linear storytelling to create a sense of dissonance. This technique is most evident in the pivotal scene where Emma, under the influence of alcohol, recounts her teenage fantasies of violence. The dialogue, sharp and unfiltered, underscores the film’s exploration of how trauma is both personal and political.#manhattan #new_york #zendaya #robert_pattinson #kristoffer_borgli

The Drama's Controversial Twist Sparks Divisive Reactions Among Audiences Zendaya and Robert Pattinson’s latest film, The Drama, has ignited heated debates among viewers, with some calling it a groundbreaking cinematic conversation-starter and others expressing outrage over its unsettling premise. The film, set to release in US and UK cinemas on 3 April, follows a soon-to-be-married couple, Emma and Charlie, as they navigate pre-wedding nerves in Boston. The story takes a dark turn when Emma, during a drunken confession with friends, reveals her teenage plan to carry out a school shooting. The revelation forces Charlie to confront whether he can proceed with the wedding, given the gravity of Emma’s past intentions. The film’s plot, which includes a harrowing exploration of Emma’s teenage trauma, has drawn comparisons to other films that tackle similar themes, such as Gus Van Sant’s Elephant (2003) and Lynne Ramsay’s We Need to Talk About Kevin (2011). However, The Drama distinguishes itself by framing the subject within a romantic comedy structure, a bold choice that has sparked both praise and criticism. Director Kristoffer Borgli, a Norwegian filmmaker known for his provocative social satires, blends Scandinavian gallows humor with a US setting, creating a unique but polarizing tone. The film’s risk-taking has been acknowledged as a major strength, with critics noting its bold approach to taboo subjects. However, some have questioned whether the narrative successfully balances its comedic and dramatic elements. While early scenes showcase the film’s aspirational romcom charm—such as Pattinson’s character, reminiscent of Hugh Grant’s diffident charm in Four Weddings and a Funeral—later sequences lean heavily into awkward cringe humor.#zendaya #robert_pattinson #the_drama #kristoffer_borgli #columbine_high_school

Maura Higgins’ Outlook On Single Life Is So Refreshing Queen Maura strikes again Maura Higgins always says the quiet part out loud—and that’s why we will continue to be obsessed with her. Fresh off The Traitors US and consistently styling up a storm on the red carpet, Maura has come a long way from her Longford roots… and from the concept of needing a partner to feel secure. The presenter and social star has been linked to a few guys over the years, but over the past 12 months or so, she has been embracing single life. Enthusiastically so. “I don’t want to bring just anyone into my energy. It wasn’t even a plan to be celibate. I didn’t put a timeline on it,” she told Cosmopolitan. “I just had terrible exes and needed a break. I wanted to focus on me, my career, and my energy. Now that it’s been over a year, I don’t even think of men. I’m not saying I’m not open [to a relationship], but I’m not checking my DMs to see who’s in there. I’m not searching for it.” Nor should she be. There are so many great things about being in a relationship… but there are countless positives to being single too. The independence, the stacked social calendar, and, if you’re Maura Higgins, the fact that your career is growing exponentially as you continue to break into the US market. Maura didn’t just come second on the most recent season of The Traitors US—she also served consistent looks on the show, ensuring every single viewer (and brand) was aware of her status as a fashion icon. Since then, she has launched a new campaign with Uber all about the necessity of an Irish exit, interviewed Zendaya and R-Patz at the premiere for upcoming film The Drama, and of course, nabbed herself that Birkin bag.#zendaya #uber #maura_higgins #the_traitors_us #r_patz